REVIEW ARTICLE | June 5, 2026
A Teaching Design of Blended Teaching of College English Courses Based on POA Model - Taking Unit 3 of New Standard College English 3 as an Example
Ye Jin, Jie Zhang
Page no 113-117 |
https://doi.org/10.36348/sijll.2026.v09i06.001
The production-oriented approach, which is student-centered and outcome-oriented, represents an innovation over traditional teaching methods that focus on teachers and subject knowledge. Currently, college English courses still struggle to break free from traditional teaching concepts and methods, and the problem of insufficient teaching achievements persists. Against this backdrop, it is necessary to innovatively design teaching activities based on the production-oriented education concept, construct a multimodal teaching model, diagnose teaching problems through teaching evaluation, and make optimization and improvements to ensure excellent results in the innovation and practice of English courses. This article takes Unit 3 of New Standard College English 3 as an example, implements the teaching concept of the production-oriented approach, and designs the entire classroom activity according to the teaching design steps of the production-oriented approach to explore the application of the production-oriented approach in college English reading teaching.
Throughout history, taboos have been considered social rules rooted in people's fears of things seen as dangerous, contaminated, or sacred. Across different cultural settings, prohibitions related to sexuality, bodily practices, ritual conduct, death, food, and sacred spaces have played an important role in organising collective life and preserving symbolic boundaries. Rather than treating taboos solely as religious restrictions or irrational customs, this paper approaches them as culturally transmitted systems shaped by emotional response, symbolic classification, and social reinforcement. Drawing upon perspectives from symbolic anthropology, cognitive anthropology, and moral psychology, the discussion reveals how fears concerning impurity, contamination, and uncertainty become attached to systems of prohibition and gradually acquire moral and sacred authority. Particular attention is given to the relationship between ritual practice, emotional reinforcement, and the preservation of communal order. Examples including menstrual restrictions, ritual abstinence before hunting, food prohibitions, and avoidance practices associated with death reflect how taboo systems regulate both social behaviour and collective perceptions of purity and danger. Contemporary forms of moral policing, symbolic contamination, and public condemnation within digital culture also demonstrate the continuing relevance of taboo-like structures in modern society. By examining the interconnections among fear, contamination, and sacred prohibition, this study suggests how taboo systems persist and acquire long-term cultural authority across historical and social contexts.