This review article provides a thorough psychoanalytic exploration of David Lynch's Lost Highway, a film celebrated for its intricate narrative and surreal imagery. Utilizing Freudian and Lacanian theories, the analysis investigates the film's themes of identity, trauma, and the unconscious. The protagonist's disjointed journey through fragmented realities serves as a case study in the manifestation of repressed desires and fears. By examining the interplay of memory, perception, and selfhood, this article reveals the deeper psychological currents that drive the narrative and influence character motivations. Furthermore, the discussion situates Lost Highway within Lynch's broader oeuvre, highlighting the director's fascination with the subconscious and the complexities of human experience. Ultimately, this psychoanalytic reading positions Lost Highway as not merely a cinematic puzzle but also a profound commentary on the nature of reality and the psyche, inviting viewers to confront their own unconscious landscapes.